Kratos and Atreus soon encounter many hurdles in their journey and fend them off. After seemingly killing him, Kratos reluctantly takes Atreus with him and begins their journey.

Kratos is soon attacked by a mysterious stranger with godlike powers, and who cannot feel anything physically. However much to Kratos' disappointment, Atreus proves his incompetence and lack of focus, making Kratos reconsider taking Atreus in his journey. Kratos and Atreus prepare a funeral pyre for her, mourn her death and soon go on a hunt as per Kratos' desire. The game begins after the death of the Jötunn warrior Faye, Kratos' second wife and Atreus' mother, whose last request was for her ashes to be spread at the highest peak of the Nine Realms. Narcissistic aestheticism satisfied by what it seems to condemn, I haven't seen something like this since the days of 'Noah' (in the alternative: since Jodorowsky and Sorrentino): after 2 hours you leave Dullea's rococo room and breathe a sigh of relief.Many years have passed since Kratos, a Spartan warrior and former Greek God of War, took his vengeance against the Greek Gods, and he now lives with his young son Atreus in ancient Norway in the realm of Midgard. (Mauro Lanari) With a visionariness that wants to confront that of Kubrick, Noé, Van Dormael, Aronofski, Welles, Trier, the first Herzog, the first Greenaway and who knows how many further surrealists in the history of cinema, in his trip Majewski embraces misology reducing the clash between (Mauro Lanari) With a visionariness that wants to confront that of Kubrick, Noé, Van Dormael, Aronofski, Welles, Trier, the first Herzog, the first Greenaway and who knows how many further surrealists in the history of cinema, in his trip Majewski embraces misology reducing the clash between capitalist parasitism and the tradition of the North American natives in a slew of spiritual phanies understandable only to an ethnologist expert in Navajo mythology.

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